Game of Thrones the most pirated television program

Guinness World Records naming Game of Thrones as the most pirated television program is one of the truth about the movies. Game of Thrones is one of the best drama television series created by showrunners David Benioff and D. B. Weiss. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is titled A Game of Thrones. It is filmed in a Belfast studio and on location elsewhere in Croatia, Iceland, Malta, Morocco, Northern Ireland, Spain, Scotland, and the United States, and premiered on HBO in the United States on April 17, 2011. The sixth season of the series premiered on April 24, 2016, and the series has also been renewed for a seventh season to air in 2017.

 The series is set on the fictional continents of Westeros and Essos and interweaves several plot lines with a large ensemble cast. The first narrative arc follows a civil war among several noble houses for the Iron Throne of the Seven Kingdoms; the second covers the attempts to reclaim the throne by the exiled last scion of the realm's deposed ruling dynasty; the third chronicles the rising threat of the impending winter and the legendary creatures and fierce peoples of the North.

 Game of Thrones has attracted record numbers of viewers on HBO and attained an exceptionally broad and active international fan base. It has received widespread acclaim by critics, particularly for its acting, complex characters, story, scope, and production values, although its frequent use of nudity, violence, and sexual violence has attracted criticism. The series has won 26 Prime time Emmy Awards, including the Prime time Emmy Award for Outstanding Drama Series in 2015—when it set a record for most wins for a series in a single year—and numerous other awards and nominations, including three Hugo Award for Best Dramatic Presentation, a Peabody Award, and three Golden Globe Award nominations. From among the ensemble cast, Peter Dinklage won two Emmy Awards for Outstanding Supporting Actor in a Drama Series and a Golden Globe Award for Best Supporting Actor – Series, Miniseries or Television Film for his performance as Tyrion Lannister.

Game of Thrones roughly follows the storylines set out in A Song of Ice and Fire, set in the fictional Seven Kingdoms of Westeros. The series chronicles the violent dynastic struggles among the realm's noble families for control of the Iron Throne. As the series opens, additional threats emerge in the icy North and in the eastern continent of Essos.

 "The Sopranos in Middle-earth" is the tagline that show runner David Benioff jokingly suggested for Game of Thrones, referring to its intrigue-filled plot and dark tone combined with a fantasy setting that incorporates some magic and dragons. In a 2012 study of deaths per episode, the series was listed second out of 40 recent U.S. TV drama series, with an average of 14 deaths per episode.

Inspirations, derivations, and analogous works

 The first season is a faithful adaptation of the novel. Later seasons, however, began to diverge with significant changes. According to David Benioff, the show is "about adapting the series as a whole and following the map George laid out for us and hitting the major milestones, but not necessarily each of the stops along the way.

 The novels and their adaptation derive aspects of their settings, characters, and plot from various events of European history. A principal inspiration for the novels is the English Wars of the Roses (1455–85) between the houses of Lancaster and York, reflected in Martin's houses of Lannister and Stark. Most of Westeros is reminiscent of High Medieval Western Europe, with its castles and knightly tournaments. The scheming Cersei, for instance, calls to mind Isabella, the "she-wolf of France" (1295–1358). She and her family inspired Martin, as depicted in Maurice Druon's historical novel series The Accursed Kings, in particular. Other historical inspirations for elements of the series include Hadrian's Wall (which became Martin's great Wall), the legend of Atlantis (ancient Valyria), Byzantine "Greek fire" ("wildfire"), Icelandic sagas of the Viking Age (the Iron-born), the Mongol hordes (the Dothraki), and elements from the Hundred Years' War (1337–1453) and the Italian Renaissance (c. 1400–1500). The series' great popularity has been attributed in part to Martin's skill at fusing these disparate elements into a seamless whole that appears credible on its own terms as an alternative history.

Cast and characters

Main article: List of Game of Thrones characters

Peter Dinklage (Tyrion Lannister) leads the principal cast from season two onwards.

 Like the novels it adapts, Game of Thrones has a sprawling ensemble cast, estimated to be the largest on television.During the production of the third season, 257 cast names were recorded. In 2014, several of the actors' contracts were renegotiated to include the option for a seventh season, and included raises that reportedly made the cast among the best-paid on cable TV. The following overview reduces the list of characters in Game of Thrones to those played by the actors credited as part of the main cast.

Lord Eddard "Ned" Stark (Sean Bean) is the head of House Stark, whose members are involved in most of the series' intertwined plot lines. He and his wife, Catelyn Tully (Michelle Fairley), have five children: the eldest, Robb (Richard Madden), the dainty Sansa (Sophie Turner), the tomboy Arya (Maisie Williams), the adventurous Bran (Isaac Hempstead-Wright) and the youngest, Rickon (Art Parkinson). Ned's bastard son Jon Snow (Kit Harington) and his friend Samwell Tarly (John Bradley) serve in the Night's Watch under Lord Commander Jeor Mormont (James Cosmo). Among the Wildlings that live north of the Wall are warrior Tormund Giantsbane (Kristofer Hivju), the red-haired free spirited Ygritte (Rose Leslie), and the timid Gilly (Hannah Murray).[19]

People associated with House Stark include Ned's ward, Theon Greyjoy (Alfie Allen), as well as Ned's vassal, Roose Bolton (Michael McElhatton), and his sadistic bastard, Ramsay Snow (Iwan Rheon). Robb falls in love with the Talisa Maegyr (Oona Chaplin), and Arya befriends the blacksmith's apprentice, Gendry (Joe Dempsie), and Jaqen H'ghar (Tom Wlaschiha), an assassin. Catelyn encounters the tall, loyal warrior Brienne of Tarth (Gwendoline Christie).[19]

In the capital of King's Landing, Ned's old friend, King Robert Baratheon (Mark Addy), shares a loveless marriage with Cersei Lannister (Lena Headey), who has taken her twin, the "Kingslayer", Ser Jaime Lannister (Nikolaj Coster-Waldau), as her secret lover. She loathes her younger brother, the clever dwarf Tyrion (Peter Dinklage), who is attended by his mistress, Shae (Sibel Kekilli), and the sellsword Bronn (Jerome Flynn). Cersei's father is the ruthless Lord Tywin (Charles Dance). Cersei also has two young sons: the cruel and sadistic Joffrey (Jack Gleeson), and the kind Tommen (Dean-Charles Chapman). Joffrey is guarded by the scar-faced warrior Sandor "the Hound" Clegane (Rory McCann).

The king's "Small Council" of advisors includes the crafty Master of Coin, Lord Petyr "Littlefinger" Baelish (Aidan Gillen), and Lord Varys (Conleth Hill), the eunuch spymaster. Robert's brother, Stannis Baratheon (Stephen Dillane), is advised by the foreign priestess Melisandre (Carice van Houten) and the former smuggler Ser Davos Seaworth (Liam Cunningham). The wealthy Tyrell family is primarily represented at court by the ambitious Margaery Tyrell (Natalie Dormer and her wry grandmother, Olenna (Diana Rigg). Also present in King's Landing is the religious zealot the High Sparrow (Jonathan Pryce). In the southern principality of Dorne, Ellaria Sand (Indira Varma) seeks vengeance against the Lannisters.

Across the Narrow Sea, siblings Viserys (Harry Lloyd) and Daenerys Targaryen (Emilia Clarke) – the exiled children of the king overthrown by Robert Baratheon – are on the run for their lives, trying to win back the throne. Daenerys has been married to Khal Drogo (Jason Momoa), the leader of the nomadic Dothraki. Her retinue includes Ser Jorah Mormont (Iain Glen), an exiled knight; her aide, Missandei (Nathalie Emmanuel); and the sellsword Daario Naharis (Michiel Huisman).

Production

Conception and development

Showrunners D. B. Weiss and David Benioff created the series, wrote most of its episodes and directed some of them.

According to David Benioff and D. B. Weiss, the two came up with the idea of adapting George R. R. Martin's novels to the screen in 2006, after Benioff began reading the first novel, A Game of Thrones. He called Weiss to share his excitement, and Weiss finished the thousand-page novel in "maybe 36 hours".[20] They successfully pitched the series to HBO, and convinced Martin – a veteran screenwriter himself – in the course of a five-hour meeting in a restaurant on Santa Monica Boulevard to agree to the idea. Benioff recalled they won Martin over with their answer to his question, "Who is Jon Snow's mother?

The series began development in January 2007. HBO, after acquiring the TV rights to the novels, hired Benioff and Weiss to write and executive produce the series, which would cover one novel's worth of material per season. Initially, Benioff and Weiss were to write every episode, save one per season, which Martin (who also joined as a co-executive producer) would write. Jane Espenson and Bryan Cogman were later added to each write one episode of the first season.

The first and second drafts of the pilot script, written by Benioff and Weiss, were submitted in August 2007, and June 2008, respectively. While HBO found both drafts to their liking, a pilot was not ordered until November 2008, with the 2007–2008 Writers Guild of America strike possibly delaying the process.

The pilot reportedly cost HBO between US$5 and 10 million, and the total budget for the first season had been estimated at US$50–60 million.[28] In the second season, the show obtained a 15% budget increase to depict the climactic battle in the episode "Blackwater", which had a budget of US$8 million. Between 2012 and 2015, the average episode's budget grew from US$6 million to "at least" 8 million. The budget for the sixth season was over $10 million per episode, totaling over $100 million for the full season and setting a new high for the series.

Casting

The main cast was put together through a process of auditions and readings. The only exceptions to this were Peter Dinklage and Sean Bean, whom the writers wanted from the start and were announced to join the pilot in 2009. Other actors signed on for the pilot were Kit Harington in the role of Jon Snow, Jack Gleeson as Joffrey Baratheon, Harry Lloyd as Viserys Targaryen, and Mark Addy as Robert Baratheon.[35][36] At the beginning of August 2009, it was revealed that Catelyn Stark would be portrayed by Jennifer Ehle, but was later recast, with Michelle Fairley replacing her.[37] Later, it was also confirmed that Emilia Clarke would replace Tamzin Merchant as Daenerys Targaryen. The rest of the cast was filled out in the second half of the year, and included Charles Dance as Tywin Lannister, Aidan Gillen as Petyr 'Littlefinger' Baelish, and Conleth Hill as Varys.

Although a large portion of the first season cast were set to return, the producers were still faced with a huge number of new characters to be cast for the second season. Because of this, Benioff and Wiess not only postponed the introduction of several key characters, but they also merged some into one, or certain plot-functions were given to different characters. Regardless of these changes, the cast of Game of Thrones is estimated to be the largest on television.

Nina Gold and Robert Sterne are the main casting directors of the show.

Writing

George R. R. Martin, the author of A Song of Ice and Fire, is attached to the series as a co-executive producer and wrote one episode for each of the first four seasons.

Game of Thrones has used seven writers over the course of five seasons. Series creators David Benioff and D. B. Weiss are the showrunners and write the majority of the episodes each season.

A Song of Ice and Fire author George R. R. Martin wrote one episode in each of the first four seasons, but has not written an episode for the fifth or sixth seasons, as Martin wants to focus on completing the sixth novel, The Winds of Winter. Jane Espenson co-wrote one episode for the first season as a freelance writer.

Bryan Cogman, who initially was a script coordinator for the series, was promoted to a producer beginning with the fifth season. Cogman wrote at least one episode for the first five seasons, and is currently the only other writer to be in the writers' room with Benioff and Weiss. Before Cogman's promotion, Vanessa Taylor, who was a writer during the second and third seasons, worked closely with Benioff and Weiss. Dave Hill joined the writing staff for the fifth season, having previously worked as an assistant to Benioff and Weiss. Martin is not in the writers' room, but reads the script outlines and gives notes.

Benioff and Weiss sometimes assign various characters to each writer. For example, Cogman was assigned to Arya Stark for the fourth season. From there, the writers spend a few weeks writing a character outline, including what material from the novels to use and what the overarching themes are. After these individual outlines are complete, the writers spend another two to three weeks discussing each main character's individual arc and arranging them episode-by-episode.[41]

From there, a detailed outline is created, with each of the writers working on a portion in order to create a script for each episode. Cogman, who wrote two episodes for the fifth season, took a month and a half to complete both scripts. The scripts are then read by Benioff and Weiss, who give notes, and then parts of script are rewritten. All ten episodes are written before filming begins, as all the episodes are filmed simultaneously, out of order, and using two separate units in different countries.[41]

Adaptation schedule

Benioff and Weiss intend to adapt the entirety of the still-incomplete A Song of Ice and Fire novel series to TV. In March 2015, Benioff and Weiss said that, with the fifth season adapting all material from the novels published so far, Game of Thrones might begin outpacing A Song of Ice and Fire in the sixth season. The series would then be based on an outline of the plot of the future novels provided by Martin.[45] According to HBO executive Michael Lombardo, the series is expected to encompass over seven seasons, with Benioff and Weiss aiming for eight and HBO hoping for more.[46] In January 2016, HBO began discussions for a potential two-season renewal, consisting of season seven and eight.[47] In April 2016 before the sixth season premiere, Benioff and Weiss stated, "I think we're down to our final 13 episodes after this season" with the plan being seven episodes in season seven and six episodes in season eight.[48] Later in April 2016, the series was renewed for a seventh season with an unknown episode order.[6]

As of 2016, seven seasons have been ordered and six have been filmed, adapting the novels at a rate of about 0.8 minutes per page for the first three seasons.[49]

Seasons 1 and 2 each adapted one novel. For the later seasons, the creators see Game of Thrones as an adaptation of A Song of Ice and Fire as a whole, rather than of the individual novels.[63] This gives them the liberty to move events back and forth across novels according to the requirements of the screen adaptation.[64]

The five seasons filmed so far each consist of ten episodes, with an average runtime of 55 minutes per episode. The series' pilot and every season finale, bar the first, run for more than an hour apiece.

Filming

The walled city of Dubrovnik stands in for King's Landing from season 2 onwards

Ballintoy Harbour was redressed as Lordsport on the Iron Islands

The Azure Window at Ras-id-Dwerja, on Gozo, was the site of the Dothraki wedding in season 1.

Principal photography for the first season was scheduled to begin on July 26, 2010.[2] The primary location was the Paint Hall Studios in Belfast, Northern Ireland.[65] Exterior scenes in Northern Ireland were filmed at Sandy Brae in the Mourne Mountains (standing in for Vaes Dothrak), Castle Ward (Winterfell), Saintfield Estates (the Winterfell godswood), Tollymore Forest (outdoor scenes), Cairncastle (the execution site), Magheramorne quarry (Castle Black), and at Shane's Castle (the tourney grounds).[1] Doune Castle in Stirling, Scotland, was also used in the original pilot episode for exterior and interior scenes at Winterfell.[66] The producers initially considered shooting the whole series in Scotland, but eventually chose Northern Ireland because of the availability of studio space.[67]

The first season's southern scenes were filmed in Malta, a change in location from the sets in Morocco used for the pilot episode.[2] The city of Mdina was used for scenes in King's Landing. Filming also took place at Fort Manoel (representing the Sept of Baelor); at the Azure Window on the island of Gozo (the Dothraki wedding site); and at San Anton Palace, Fort Ricasoli, Fort St Angelo, and St. Dominic monastery (all used for scenes in the Red Keep).[1]

For the second season, shooting of the Southern scenes shifted from Malta to Croatia, where the city of Dubrovnik and nearby locations allowed exterior shots of a walled medieval city on the coast. The Walls of Dubrovnik and of Fort Lovrijenac were used for scenes in King's Landing and the Red Keep. The island of Lokrum, the St. Dominic monastery in the coastal town of Trogir, the Rector's Palace in Dubrovnik, and the Dubac quarry a few kilometers to the east were used for scenes set in Qarth. Scenes set north of the Wall, in the Frostfangs, and at the Fist of the First Men were filmed in Iceland in November 2011, on the Svínafellsjökull glacier and near Smyrlabjörg and Vík on Höfðabrekkuheiði.[1]

For the third season, the production returned to Dubrovnik, Croatia. The Walls of Dubrovnik, Fort Lovrijenac, and nearby locations were used for scenes in King's Landing and the Red Keep. One new location, Trsteno Arboretum, is the garden of the Tyrells in King's Landing. The third season also returned to Morocco (previously used in the pilot episode), including the city of Essaouira, to film Daenerys' scenes in Essos.[68] One scene featuring a live bear was filmed in Los Angeles.[3] The production employed three units ("Dragon", "Wolf", and "Raven") filming in parallel, six directing teams, 257 cast members, and 703 crew members.[16]

The fourth season returned to Dubrovnik and included new locations in Croatia, such as Diocletian's Palace in Split, Klis Fortress north of Split, Perun quarry east of Split, Mosor mountain, and Baška Voda further down to the south.[69] Filming took 136 days and ended on November 21, 2013.[70]

The fifth season added Seville, Spain, as a filming location, which is used for scenes of Dorne.

The sixth season, which began filming in July 2015, returned to Spain, and filmed in the cities of Girona and Peniscola.[71]

Directing

Each 10-episode season of Game of Thrones employs between four and six directors, of which usually direct back-to-back episodes. Alex Graves, David Nutter, and Alan Taylor have directed the most episodes of the series, with six each. Daniel Minahan has directed five episodes, while Michelle MacLaren, Mark Mylod, Jeremy Podeswa, Alik Sakharov, and Miguel Sapochnik have directed four each. Brian Kirk directed three episodes for the first season and Tim Van Patten directed the first two episodes of the series. Neil Marshall has directed two episodes, both of which are episodes featuring large battle sequences: "Blackwater" and "The Watchers on the Wall". Other directors have been Jack Bender, David Petrarca, Daniel Sackheim, and Michael Slovis. Series creators and showrunners David Benioff and D. B. Weiss have also directed an episode each.[72]

Technical aspects

Alik Sakharov was the cinematographer for the pilot. The series has had multiple cinematographers over the course of the series. The series has received seven Primetime Emmy Award for Outstanding Cinematography for a Single-Camera Series nominations.[73]

Oral Norrey Ottey, Frances Parker, Martin Nicholson, Crispin Green, Tim Porter, and Katie Weiland are the six editors that have worked on the series, each for a various number of episodes. Weiland received a Primetime Emmy Award for Outstanding Single-Camera Picture Editing for a Drama Series in 2015.[73]

Costuming

The costumes of Ygritte, Jon Snow, and Tormund Giantsbane reflect the harsh climate in which they are worn.

The rich dresses worn at the royal court in King's Landing advertise their wearers' wealth and status.

Functional weapons and armor, like Brienne of Tarth's (left), were manufactured for the series.

The show's costumes are inspired by many cultures, such as Japanese and Persian. Dothraki outfits resemble the Bedouin's (one was made out of fish skins to resemble dragon scales), while the Wildlings wear animal skins inside out like the Inuit.[74] Wildling bone armor is made of molds taken of real bones and assembled with string and latex resembling catgut.[75] While extras who portray Wildlings and the Night's Watch often wear hats, as would be normal in a cold climate, main actors usually do not do so. This allows viewers to identify the characters. Björk's Alexander McQueen high-neckline dresses inspired Margaery Tyrell's funnel-neck outfit, while costumes of prostitutes are designed to be quickly and easily removed.[74] All clothing, whether for Wildlings or for women at the royal court, is aged for two weeks to improve realism on high-definition television.[75]

About two dozen wigs are used for the actresses. Made of human hair and up to 2 feet (61 cm) in length, they cost up to $7000 each, and are washed and styled like real hair. Applying the wigs is a lengthy process; Emilia Clarke, for example, requires about two hours to style her brunette hair with a platinum-blonde wig and braids. Other actors, such as Jack Gleeson and Sophie Turner, receive frequent hair coloring. For characters such as Daenerys (Clarke) and her Dothraki, hair, wigs, and costumes are processed so they appear as if they have not been washed for weeks.[74]

Michele Clapton served as the costume designer for the first five seasons before being replaced by April Ferry.[76]

Makeup

For the first three seasons, Paul Engelen was the main makeup designer and prosthetic makeup artist on Game of Thrones, alongside Melissa Lackersteen, Conor O'Sullivan, and Rob Trenton. At the onset of the fourth season, Engelen's team was replaced by Jane Walker and her crew, which is composed of Ann McEwan and Barrie and Sarah Gower.[77]

Visual effects

For the large amount of visual effects in the series, HBO hired Britain-based BlueBolt and Ireland-based Screen Scene for season one. Most of the environment builds were done as 2.5D projections. This was done to give the viewer a good sense of perspective while also to keeping the amount of programming from becoming overwhelming.[78] In 2011, the season one finale, "Fire and Blood", was nominated for an Primetime Emmy Award for Outstanding Special Visual Effects.

Because the effects became more complex in the subsequent seasons, including CGI creatures, fire, and water, Germany-based Pixomondo was recruited to take over visual effects. Starting with the second season, Pixomondo served as lead VFX producer. For season two, nine of its twelve facilities contributed to the project, with Stuttgart serving as the lead.[79][80] Additionally, some scenes were produced by Britain-based Peanut FX, Canada-based Spin VFX, and U.S.-based Gradient Effects. The episodes "Valar Morghulis" and "Valar Dohaeris" earned Pixomondo the Primetime Emmy Award for Outstanding Special Visual Effects in 2012 and 2013, respectively.

For season four, HBO added Mackevision, also based in Germany, to the project.[81] The season four finale "The Children" won the Emmy Award for Visual Effects in 2014. Additional producers for season four included Canada-based Rodeo FX, Germany-based Scanline VFX, and U.S.-based BAKED FX. The muscle and wing movements of the adolescent dragons in seasons 4 and 5 were based largely on those of a chicken. Pixomondo retained a team of 22 to 30 people that focused solely on the visualization of Daenerys Targaryen’s dragons, with the average production time per season ranging between 20 and 22 weeks.[82] For the fifth season, HBO also added Canada-based Image Engine and U.S.-based Crazy Horse Effects to its list of main VFX producers.[83][84]

Sound

In a method that is unorthodox for a television series, the sound team receives a rough-cut of a full season to work on, and they approach it like a ten-hour feature film. Seasons 1 and 2 each had a different sound team, but for the subsequent seasons, the same team has been in charge of sound.[85] For the show's blood and gore sounds, the sound team often uses a shammy. For dragon screams, they have used the sounds of two tortoises mating, as well as dolphin, seal, lion, and bird sounds.[86]

Title sequence

Main article: Game of Thrones title sequence

The series' title sequence was created by production studio Elastic for HBO. Creative director Angus Wall and his collaborators received the 2011 Primetime Emmy Award for Main Title Design for their work on the sequence.[87] It depicts a three-dimensional map of the series' fictional world. The map is projected onto the inside of a sphere, which is centrally lit by a small sun that is contained within an armilla.[88] As the camera moves across the map and focuses on locations in which the episode's events take place, clockwork mechanisms intertwine and allow buildings and other structures to emerge from the map. Meanwhile, accompanied by the title music, the names of the principal cast and creative staff are displayed. The sequence concludes after about one and a half minutes, with the title card and brief opening credits indicating the episode's writer(s) and director. The composition of the title sequence changes as the story progresses; as new locations are introduced, they replace others that no longer feature as prominently or at all.[88][89][90]

Language

The Westerosi characters of Game of Thrones speak British English, often (but not consistently) with the accent of the English region whose geographic location corresponds to the character's Westerosi region. For instance, Eddard Stark, as Warden of the North, speaks in actor Sean Bean's native northern accent, while the southern lord Tywin Lannister speaks with a southern accent. Characters foreign to Westeros are often, but not always, played with a non-British accent.[91]

While English is used to convey the common language of Westeros, the producers charged linguist David J. Peterson with constructing the Dothraki and Valyrian languages based on the few words used in the novels.[92] All Dothraki or Valyrian dialogue is subtitled in English. The BBC estimated that, throughout the series, these fictional languages were heard by more people than the Welsh, Irish and Scots Gaelic languages combined.[93]

Effect on location

Game of Thrones receives funding from Northern Ireland Screen, a UK government agency financed by Invest NI and the European Regional Development Fund.[94] As of April 2013, Northern Ireland Screen has awarded the show £9.25 million ($14.37 million), which, according to government estimates, has benefited the Northern Ireland economy by £65 million ($100.95 million).[95]

Tourism Ireland has a Game of Thrones-themed marketing campaign, similar to New Zealand's Tolkien-related advertising.[96] Invest NI and the Northern Ireland Tourist Board also expect the series to generate tourism revenue.[95] According to Arlene Foster, the series has given Northern Ireland the most publicity in its history, outside of politics and the Troubles.[97] The production of Game of Thrones and other TV series also provided a boost to the creative industry in Northern Ireland, contributing to an estimated growth of 12.4% in arts, entertainment, and recreation jobs between 2008 to 2013, as opposed to 4.3% in the whole of the UK in the same timespan.[98]

Tourism organizations in other filming locations also reported notable increases in bookings after their locations appeared in Game of Thrones. In 2012, Bookings through LateRooms.com increased by 28% in Dubrovnik, Croatia, and by 13% in Iceland. In 2013, bookings increased by 100% in Ouarzazate, Morocco, the filming location of Daenerys' season 3 scenes.[99]

Availability

Broadcast

Game of Thrones is broadcast by HBO in the United States, and through its local subsidiaries or other pay TV services in other countries, either at the same time as in the U.S., or some weeks or months later. The series' broadcast in China on CCTV began in 2014 and was heavily edited to remove scenes of sex and violence. This is in accordance with a Chinese practice of censoring western TV series in order to prevent what the People's Daily refers to as "negative effects and hidden security dangers". This resulted in viewer complaints about the incoherence of what remained of the series.[100]

Broadcasters carrying Game of Thrones include Showcase in Australia; HBO Canada, Super Écran, and Showcase in Canada; SoHo and Prime in New Zealand; and Sky Atlantic in the United Kingdom and Ireland.[101]

Home video

The ten episodes of the first season of Game of Thrones were published as a DVD and Blu-ray box set on March 6, 2012. The box set also includes extra background and behind-the-scenes material, but no deleted scenes, as nearly all the footage shot for the first season was used in the show.[102] The box set sold over 350,000 units within the first seven days of its release, the largest first-week DVD sales ever for an HBO series. The series also set an HBO series record for digital download sales.[103] A "collector's edition" of the box set was released in November 2012. It combined the DVD and Blu-ray versions of the first season and also included the first episode of season two. A paperweight in the mold of a dragon egg is also included in the set.[104]

DVD/Blu-ray box sets and digital downloads of the second season were made available on February 19, 2013.[105] First-day sales again broke HBO records, with 241,000 box sets sold and 355,000 episodes downloaded.[106]

The third season was made available for purchase as a digital download on the Australian iTunes Store parallel to the U.S. premiere.[107] The third season was released on DVD and Blu-ray in region 1 on February 18, 2014.[108]

The fourth season was released on DVD and Blu-ray on February 17, 2015.[109]

The fifth season was released on Blu-ray and DVD on March 15, 2016.[110]

Copyright infringement

Game of Thrones is notorious for being widely infringed, mainly outside the U.S.[111] File-sharing news website TorrentFreak estimated Game of Thrones to be the most-pirated TV series every year since 2012.[112][113][114][115] Illegal downloads grew to about 7 million in the first quarter of 2015, up 45% from 2014.[111] One unnamed episode was downloaded about 4,280,000 times through public BitTorrent trackers in 2012, about equal to the number of broadcast viewers.[116][117] Piracy rates were particularly high in Australia.[118] This led Jeff Bleich, U.S. Ambassador to Australia, to issue a public statement condemning Australian piracy of the series in 2013.[119]

The delays in availability outside of HBO or its affiliates[120] encountered prior to 2015 and the cost of subscriptions to these services have been pointed to as causes of the series' widespread illegal distribution. According to TorrentFreak, if somebody were to subscribe to a service exclusively for Game of Thrones, the cost ranges up to 25 dollars per month in the United States, up to 26 pounds per episode in the UK, and up to 52 dollars per episode in Australia.[121]

Viewing it as essential for "combating piracy", in 2013, HBO said it intended to make its content more widely available within a week of the U.S. premiere, including through HBO Go.[122] In 2015, the fifth season was simulcast to 170 countries, as well as HBO Now users.[111] However, on April 11, 2015, the day before the season premiere, screener copies of the first four episodes of the fifth season leaked to numerous file-sharing websites.[123] Within the first day after the leak, the files had been downloaded over 800,000 times,[124] and in just one week the figure reached a total of 32 million in illegal downloads, with the season five premiere, "The Wars to Come", pirated 13 million times alone.[125] The season five finale, "Mother's Mercy", was the most simultaneously shared file in the history of the BitTorrent filesharing protocol, with over 250,000 simultaneous sharers and over 1.5 million downloads within 8 hours.[126] For the sixth season, HBO did not send out screeners to the press in order to prevent the spread of unlicensed copies and possible spoilers.

Observers, including series director David Petrarca[128] and Time Warner CEO Jeff Bewkes, said illegal downloads did not hurt the series' prospects, as it benefited from the resulting "buzz" and social commentary, while the high rates of piracy did not significantly translate to lost subscriptions. According to Polygon, HBO's relatively relaxed attitude towards piracy and sharing login credentials amounted to a "free-to-play" model for premium television. At a debate at the Oxford Union in 2015, series co-creator David Benioff stated he was just glad people watch the show. He claimed that the illegally downloaded copies of the show sometimes captivate viewers enough to make them buy a copy of the show later on, especially in countries where the show does not officially air on television. His fellow co-creator D. B. Weiss responded with more mixed feelings, saying the show costs a lot of money to produce and "if it doesn't make the money back, then it ceases to exist". He did, however, note his pleasure that so many people "enjoy the show so much they can't wait to get their hands on it." In 2015, Guinness World Records named Game of Thrones the most pirated television program.

IMAX

Beginning January 23, 2015, the last two episodes of season four were shown in 205 IMAX theaters across the United States. Game of Thrones is the first TV series released in this format. The show earned $686,000 in its opening day at the box office, and $1.5 million during its opening weekend. The one-week release grossed $1,896,092.

Reception and achievements

Game of Thrones was highly anticipated by fans before its premiere. It has since become a critical and commercial success. According to The Guardian, by 2014 it had become both "the biggest drama" and "the most talked about show" on television.
Every part of this movie has different aroma and fun of it self that has always put people on the position of wanting more.